As University City continues to redefine the city's skyline, one of its most lackluster additions might also be one of its most divisive. Bohlin Cywinski Jackson's New College House spans the 3300 block of Chestnut Street. Instead of building up, the space-saving alternative that Drexel has recently embraced, New College House drones dully through a former lawn as if to deliberately divide the Ivy League university from Drexel to the north.
Whether that was the building's intent, Dr. Amy Gutman, Penn President, might be the only one who knows for sure. It's a fair assumption considering the former lawn's central position between both campuses. Once enjoyed by both Penn and Drexel students, New College House could have been doubled in height to save half of the lawn. Instead it builds a wall against Drexel's massive expansion pushing into Chestnut.
It looks as though a high-priced academic turf war is taking place on what now houses Philadelphia's most expensive real estate, with Penn's conservatively low-rise, brick-and-mortar bumping up against Drexel's sky scraping, modern delights.
Whether an architectural rivalry truly exists in University City is anyone's guess, but Drexel is gearing up to change the way we think of the American campus. Drexel's departure from their aging brutalism with a modern, and ironically soothing interpretation of the same style, has been a welcome change for a campus consistently ranked amongst the nation's ugliest. Drexel may not be competing with Penn, but with its own past. For decades its orange brick and harsh lines sidled up to the classical curves and lush lawns of Penn's campus, traditional tokens synonymous with the Ivy League.
We've gotten a sneak-peak of what's to come from Drexel in the last few years, but the transformation officially began today with Drexel President John Fry's announcement that Brandywine Realty Trust will be heading up an ambitious project to house a growing student population in an integrated and urban fashion.
Dubbed Schuylkill Yards, Drexel's expansion will tap into the underutilized space surrounding 30th Street Station, blending updated incarnations of existing infrastructure with modern infill. Taking a page from the city's most innovative endeavor, the Navy Yard, a development that borrows heavily from the workplace philosophies throughout the Silicon Valley, Drexel isn't just expanding their university up and out, they're fostering an environment for innovation.
The term "mixed-use" is thrown around so often it's almost meaningless, and often leaves us with parking podiums and empty storefronts. Where it's worked most in Philadelphia has been in University City, specifically amongst Drexel's recent developments. Walking along Chestnut Street, it's very apparent that there's a college somewhere in the mix, but at its heart, it's the city. Walnut Street, on the other hand, clearly belongs to Penn. To walk Walnut is to walk through the heart of a campus.
Drexel's plan is smart. Its absence of collegiate isolation doesn't just attract retail to its mixed use element, but it's inviting technology firms, medical labs, and a student experience integrated with neighboring colleges, even the city's school district.
Penn will always have a place alongside the historic greats - Harvard, Princeton, and Yale - but the relevance of that position is changing. As tuition costs soar, prospective students are taking a closer look at their postgraduate opportunities and what employers are looking for. Law firms and traditional employers still eye the Ivy League for buttoned up recruits, but for more innovative corporations like Google, Apple, even our own Comcast, it's quickly becoming less about where you went and more about what you did there. Playing a role in that place has become a huge component of a successful education, an integrated component that Penn hasn't grasped or is too arrogant to admit.
In the 1990s, graduates who didn't land their ideal career simply went back to school and Van Wildered it through degree after degree, and twenty years later, many of them are finally paying off their loans. With today's cost of education, that luxury is gone, but universities like Drexel are replacing it with another. Students are now analyzing what it takes to land their backup jobs, and looking for educations that either place them in positions before they graduate or teach them how to create their own.
As Penn continues to dominate as the region's premier, traditional education, Drexel is charging into the future of academia, a future where students are not merely offered an education, but also trained on the realities of a postgraduate world and what it takes to own it. Drexel is giving their students a place to grow after they graduate right here in Philadelphia.
Penn's turning out doctors and lawyers, but Drexel is graduating students who will invent the next Google or Tesla. If a turf war is unfolding in University City, Drexel is winning by not merely carbon copying what worked for Penn once upon a time, but by building better to create what works for the future.
Showing posts with label University of Pennsylvania. Show all posts
Showing posts with label University of Pennsylvania. Show all posts
Wednesday, March 2, 2016
Friday, February 27, 2015
Penn's Perry World House
Universities are no stranger to experimental architecture. Academia has the money to burn and the connections to push anything through the approval process. From the College of William and Mary's sunken gardens to everything Drexel built in the 1960s to my first dorm we affectionately dubbed "Kibrini Green" (because that's what it looked like), colleges build things that leave lasting impressions...for better or worse.
Modern architecture has a shelf life of about ten years, sometimes twenty. Erdy-McHenry's monolithic apartment blocks in University City and North Philadelphia may look funky, even kind of cool, now. But they're also foreboding and unfriendly fortresses. That won't age well. But if a building manages to weather a few decades of unpopularity, it eventually earns appreciation in retrospect.
After all, Philadelphians spent decades demolishing the works of Frank Furness and Willis G. Hale to make way for "clean" glass curtains. City Hall spent some time in architectural detention. But today, people are even beginning to embrace midcentury Brutalism for its artistic uniqueness, however cold. We love retro. It just takes time to get there.
But there are some buildings that will never find their place. And more often than not, these places are the product of universities and governments with the cash to spend on architectural theories that sound better in words than realized brick and mortar.
And some just don't make any sense whatsoever.
Construction on the University of Pennsylvania's Perry World House has just begun on the campus's beautiful Locust Walk. Its purpose as a meeting place to discuss global issues is unique and innovative, but the building itself, well it doesn't make a lot of sense. Its Locust Walk facade is a clear attempt to juxtapose the humble, existing structure against a modern interpretation. But it falls short of balancing old and new by devouring its host.
But worse than its overwhelming Locust front, it sprawls meaninglessly northward like the rump of a 1976 AMC Pacer. Architecturally speaking, one thing worse than an ugly building is a building that isn't interesting enough to be ugly. And the only thing worse than that is one that doesn't make sense. The Perry World House drudges up images of houses built by the richest family in a small town: it's trying way too hard to address a very simple need. Penn has the resources to know better.
On the flip side, Penn nailed the Pennovation Center East recently granted approval just across the Schuylkill River. It not only pays homage to the area's industrial roots, it does so in a wild way. With its crystalline windows emerging horizontally from a brick factory, it takes a simple building and stamps it with a wow factor. Like a Loft District warehouse impregnated by the Cira Centre, it blends styles, eras, and purpose in a perfect balance that the Perry World House missed.
![]() |
| Frazer Dorm |
Modern architecture has a shelf life of about ten years, sometimes twenty. Erdy-McHenry's monolithic apartment blocks in University City and North Philadelphia may look funky, even kind of cool, now. But they're also foreboding and unfriendly fortresses. That won't age well. But if a building manages to weather a few decades of unpopularity, it eventually earns appreciation in retrospect.
After all, Philadelphians spent decades demolishing the works of Frank Furness and Willis G. Hale to make way for "clean" glass curtains. City Hall spent some time in architectural detention. But today, people are even beginning to embrace midcentury Brutalism for its artistic uniqueness, however cold. We love retro. It just takes time to get there.
But there are some buildings that will never find their place. And more often than not, these places are the product of universities and governments with the cash to spend on architectural theories that sound better in words than realized brick and mortar.
And some just don't make any sense whatsoever.
![]() |
| Perry World House |
Construction on the University of Pennsylvania's Perry World House has just begun on the campus's beautiful Locust Walk. Its purpose as a meeting place to discuss global issues is unique and innovative, but the building itself, well it doesn't make a lot of sense. Its Locust Walk facade is a clear attempt to juxtapose the humble, existing structure against a modern interpretation. But it falls short of balancing old and new by devouring its host.
But worse than its overwhelming Locust front, it sprawls meaninglessly northward like the rump of a 1976 AMC Pacer. Architecturally speaking, one thing worse than an ugly building is a building that isn't interesting enough to be ugly. And the only thing worse than that is one that doesn't make sense. The Perry World House drudges up images of houses built by the richest family in a small town: it's trying way too hard to address a very simple need. Penn has the resources to know better.
![]() |
| Pennovation Center East |
On the flip side, Penn nailed the Pennovation Center East recently granted approval just across the Schuylkill River. It not only pays homage to the area's industrial roots, it does so in a wild way. With its crystalline windows emerging horizontally from a brick factory, it takes a simple building and stamps it with a wow factor. Like a Loft District warehouse impregnated by the Cira Centre, it blends styles, eras, and purpose in a perfect balance that the Perry World House missed.
Saturday, January 17, 2015
Farewell, Old Friend
As Philadelphians, we've all enjoyed watching University City transform into Center City's towering sister. Ugly midcentury disasters have made way for their modern equivalent, architecture that will likely be just as abhorred by future generations. Some may even remember a time when West Philadelphia's universities proposed building a wall to separate students from once-dangerous neighborhoods now adorned by preserved mansions, renovated condos, and Victorian twins.
Architecturally, it's been great. And University City and its West Philadelphia neighbors have managed to evolve without accommodating the suburban ills that tend to play out in isolated college towns. The University of Pennsylvania, Drexel, even Temple don't just cater to their students, they embrace the city of Philadelphia by indulging our rigid adherence to urbanism and sustained walkability.
Universities are no stranger to change. They exert enormous political influence and have the cash to build what they want, where they want. Historic preservationists have abandoned all but the most historically significant of colleges. And even in those instances - William and Mary, Harvard, Penn - those charged with protecting urban heritage largely assign the task to the universities themselves.
We've see buildings fall in University City - the good, the bad, and the meh. But there's more to a building's legacy than bricks and mortar, be it Colonial or academia's wild fascination with Brutalism. These places also hold a significance for a vast portion of the public who experienced the most poignant piece of personal history within these buildings.
Just today, an old college friend of mine posted a link on my Facebook page. The link? An offer to buy a piece of my college dorm, recently demolished to make way for a new Student Union. Now, I know this is a blog about Philadelphia, but it's also about architecture and history. Plus, it's my blog, so I'm going to stray from my adoptive city for a moment or two.
Everyone has their college stories, or stories from a pivotal point in their life when they start their next act. I might think mine are unique, but no matter how hard I try, I know they're not. But sometimes good stories are those most relatable. And that's exactly what I experienced living on the third floor of South Cunningham for the bulk of my college career.
The building was dated. The architecture has been replicated across Longwood College's (now University's) campus. There was nothing significant about the Cunninghams other than our own personal experiences, and that's why it was so sad to see it go.
This is the building where I (sorry, Mom) lost my virginity. This is where I spent countless nights crying with friends in the laundry room, coming to terms with my sexual orientation. It's where I spent even more nights crying in that same laundry room with friends - still some of my best to this day - struggling with the same.
It's where we somehow managed to cram forty students and a DJ booth into a dorm room for an epic Christmas party, one graced with performances by my then-drag persona, Empress Savannah of the Fourteenth Shue.
It's where we would strut down to the hall perfecting our "Model Walk" to the Sugar Cubes. It's where we watched the O.J. verdict. It's where we sang Seasons of Love at the top of our lungs. It's where we watched Kimberly Shaw blow up Melrose Place. It's where we realized that Murder She Wrote's Cabot Cove had a murder rate higher than Honduras.
It was more than a dorm or a building...it was a friend.
Anyone who's been to college knows what it's like to sit outside their dorm until 3am deconstructing the nature of existence, solve all of the world's problems, and declare that we'll own this world by the time we're thirty. This is where we did that.
But most of all, this was the place where we laughed, cried, smoked, drank, and looked to the new millennium, clad in flannel, with relentless optimism. It's where we fostered friendships that have endured marriage and pregnancy, distance and divorce, and substance abuse and recovery.
The Cunninghams created the people we are today. And while I think it's fantastic that the campus of my alma mater finally resembles, well, a campus, I am sad to see the Cunninghams go. But their legacy will live on through the people its inhabitants have become, the stories we tell, the stories I continue to tell throughout my thirties and will continue to tell well into my forties and beyond.
Farewell, old friend.
With that said, enjoy a little 90s awesomeness...
Architecturally, it's been great. And University City and its West Philadelphia neighbors have managed to evolve without accommodating the suburban ills that tend to play out in isolated college towns. The University of Pennsylvania, Drexel, even Temple don't just cater to their students, they embrace the city of Philadelphia by indulging our rigid adherence to urbanism and sustained walkability.
Universities are no stranger to change. They exert enormous political influence and have the cash to build what they want, where they want. Historic preservationists have abandoned all but the most historically significant of colleges. And even in those instances - William and Mary, Harvard, Penn - those charged with protecting urban heritage largely assign the task to the universities themselves.
We've see buildings fall in University City - the good, the bad, and the meh. But there's more to a building's legacy than bricks and mortar, be it Colonial or academia's wild fascination with Brutalism. These places also hold a significance for a vast portion of the public who experienced the most poignant piece of personal history within these buildings.
Just today, an old college friend of mine posted a link on my Facebook page. The link? An offer to buy a piece of my college dorm, recently demolished to make way for a new Student Union. Now, I know this is a blog about Philadelphia, but it's also about architecture and history. Plus, it's my blog, so I'm going to stray from my adoptive city for a moment or two.
Everyone has their college stories, or stories from a pivotal point in their life when they start their next act. I might think mine are unique, but no matter how hard I try, I know they're not. But sometimes good stories are those most relatable. And that's exactly what I experienced living on the third floor of South Cunningham for the bulk of my college career.
The building was dated. The architecture has been replicated across Longwood College's (now University's) campus. There was nothing significant about the Cunninghams other than our own personal experiences, and that's why it was so sad to see it go.
This is the building where I (sorry, Mom) lost my virginity. This is where I spent countless nights crying with friends in the laundry room, coming to terms with my sexual orientation. It's where I spent even more nights crying in that same laundry room with friends - still some of my best to this day - struggling with the same.
It's where we somehow managed to cram forty students and a DJ booth into a dorm room for an epic Christmas party, one graced with performances by my then-drag persona, Empress Savannah of the Fourteenth Shue.
It's where we would strut down to the hall perfecting our "Model Walk" to the Sugar Cubes. It's where we watched the O.J. verdict. It's where we sang Seasons of Love at the top of our lungs. It's where we watched Kimberly Shaw blow up Melrose Place. It's where we realized that Murder She Wrote's Cabot Cove had a murder rate higher than Honduras.
It was more than a dorm or a building...it was a friend.
Anyone who's been to college knows what it's like to sit outside their dorm until 3am deconstructing the nature of existence, solve all of the world's problems, and declare that we'll own this world by the time we're thirty. This is where we did that.
But most of all, this was the place where we laughed, cried, smoked, drank, and looked to the new millennium, clad in flannel, with relentless optimism. It's where we fostered friendships that have endured marriage and pregnancy, distance and divorce, and substance abuse and recovery.
The Cunninghams created the people we are today. And while I think it's fantastic that the campus of my alma mater finally resembles, well, a campus, I am sad to see the Cunninghams go. But their legacy will live on through the people its inhabitants have become, the stories we tell, the stories I continue to tell throughout my thirties and will continue to tell well into my forties and beyond.
Farewell, old friend.
With that said, enjoy a little 90s awesomeness...
Thursday, September 3, 2009
Out on a Limb
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